watson fellow – Page 2 – Poetic Cartography

There—

A beginning

A jagged line

Of earth pining for sky

Granite range

Rolling off the forest

Heavenbound and Earthheld

A cloudcradle

Ever so slowly

Tumbling down

In blue ice and sand

Carried by skyfall

That floods all

White

Skiing from Nikkaluokta, looking up at the black granite cliffs and the wind waves of snow and ice that cross the nearly vertical faces lining the valley, I was fixated. Something inside of me felt at once exhilarated and unrestrained, the kilometers melted into the snow beneath my skis, numbers and language felt to mean nothing, effervescent reminders of how I learned to understand the world only one of an infinity of ways. The mountains breathed fresh air into my lungs and set my mind afire.

The first day I made it early to Kebnekaise Fjëllstation, a beautiful mountain lodge built into a fold of mountain birch just below Kebnekaise Mountain, the tallest peak in Sweden, just breaching 2,000 meters. Looking at the lodge from a distance, I was surprised that it hadn’t been carried off by an avalanche, but the birch grove suggested that this might be a safe(er) place. Kebnekaise was the first STF establishment where I stayed. STF is the Swedish Tourism Federation, and they maintain the huts and stations along Kungsleden as it is a popular ski and trekking route. People flock from all over the world in March to ski the good conditions and spend some time in the immensity, letting their minds and bodies expand through the open air and the newly long days.
I considered leaving Kebnekaise to continue to the next hut when in walked Örjan Pekka, the editor of the Haparanda Bladet newspaper who I met the day I started. Örjan and his friend Berth Widmark, a mechanic and retired firefighter, had driven snowmobiles from Kalix (just west of Haparanda) north, and we happened to arrive here at the same time. Örjan introduced me to Nisse Andersson who was at the Fjëllstation working as electrician. Not a bad day on the job. We got to talking and hit it off, sharing a love for skiing and travel.

In the evening when Nisse, Berth, and Örjan went for dinner, I was sitting with a young guy named Matti Rapila Andersson, a photographer and skier who was also up for work. Matti got to stay 11 days in the mountains, the lucky dog. Both feeling high on life, we got to talking. He showed me his photographs and told me stories about from where they came. One of an island of forest in the Moroccan desert burst from the page, an ode to the force of life in hostile environments. It can be seen here in his collection (t)here is (ho)me: http://www.rapila.se/there-is-home/. Our conversation rambled through nature, work, and whatever emerged. After dinner the men returned and we talked and had beers until late at night. There I was in the afternoon expecting a quiet early night in, and instead I was welcomed by a party!
The generosity and kindred spirits of these people left me feeling so good. I am no loner in the way of thought, there are so many people on the life-train I’m riding, and I am always grateful to meet them, to invigorate the senses and the intellect with stories and debate, and then to carry on, new lessons breaching my consciousness.

In the morning, after a delicious breakfast thanks to Nisse, I was off. Skiing on, I thought if the himalaya, over four times the size of these scandinavian titans. No matter about size, here the peaks rise right off the atlantic coast and the grace of mountains swimming in snow from floor to summit is overwhelming to me, an earthbound amoeba on plastic planks towing my life in a sled.
The morning brought me up and over a small pass with beautiful blue ice that glinted when the mountain mist parted for the sun. This blue on the crest of the pass is the headwaters of Kalix River, meandering arm-in-arm with Torne to the sea, but at the moment in a winter stasis.
In the afternoon I took a shortcut over a low ridge that promised some fresh powder on the downslope. At Kebnekaise I was made aware that avalanche danger was high because of warm days in February and high winds making solid crusts that can break and slide. Staying low and on southwestern slopes was best, but I could see a few places where slides had happened. Nonetheless I made it over the ridge and descended into a wonderland of a valley, rimmed by the kebnekaise massif on one side and a long wall of mountains with rolls of cliff dropping to valley bottom.
The turns going down felt the height of living, as though I was enveloped in the immensity of granite and snow upon which the friction that had caused my legs such expenditure of effort no longer had the power to keep me in place. Skiing downhill is as close as I’ve ever been to flying on my own two legs, and too fleeting it is. As I came to a stop in the rolling flats, I laughed at myself for skiing a 500km approach to make these sweet turns. It was all worth it.

The next three days are a blur of white, rolling billows of mountain snow, saunas and evening conversations with tourists, meeting the kind people who mind the mountain huts, and a sensory experience of walking on winter that submersed my mind in a peace of enormity.
The mid-section between Nikkaluokta and Abisko is a complete desert in winter. Between the pass from Kebnekaise through the awe inspiring expanse around Sälka hut and until Alesjaure, over 50km of skiing, I didn’t see any plants, nor animals, even birds. Yet life never felt so ripe with essence as in an environment such as this: the high peaks, ceaseless desert—just like the rolling ocean.

As I approached Abisko National Park from Alesjaure, I could sense closure on the horizon. The knowing that this ski trip was nearly over sat very well with me. A brief reflection helped me see that what Nan Shepherd referred to as a “geopoetic quest” had just unfolded before my ski tips, and the lessons were at once present and deepening, but inexplicable to my rational mind. There was not time for extraversion in those mountains, the peaks are not concerned with my journey, but realizing my privilege to be there, I understood that I could introvert myself into the belly of the peaks.
In a narrow valley between Gárddenvárri and Šiellanjunni, beautiful Sámi-named peaks, I dug into a snow ridge to build a home for myself for the night. The exercise was not as quick as I imagined, and after four hours of steady digging, and soaking myself to the bone to recreate the blueprint I had in mind, I had a wonky but functional snow cave where I could intern myself into the mountain for the night, but not before catching some turns.
To dry off, I skied up the nice powder blanket of the lee-slope and caught some telemark turns in the powder, looking down the valley towards Abisko and the gnarled birch forest. Up there it became apparent to me that I was was really truly standing on the headwaters, that the stream flowing below the heaps of snow in this little valley soon connects to Kamjåjakka, then becomes Ábeskojávri—Abisko Lake, then Abiskojåkka—the Abisko River, a principle headwater tributary of Torne that meets the river’s flow in the great depths of Torne Trask.

Returning to my cave, dry and happy after my ski, I cooked up some dinner. Moments after digging in, a helicopter nearly shaved my head, and flew out of sight over the windridge, but the deafening sound told me it was landing. Like a nervous rat I scurried up the wind ridge to ensure that my house didn’t cave in, and the heli was just a hundred feet away. Then I looked up and saw some dots flying down Šiellanjunni—heli skiers.

As the flew off waving to me eating my dinner, I was flabbergasted at this wild world. Feeling full I crawled into my cave and sealed the door and with it, sealed out the noise of the world. The quiet of that cave resounded and a fugue of mountain winter entered my consciousness, a symphony of a wilded mind—here I was, sleeping in the river, submerged.

This journey has no end. As rivers have no end, no beginning, but are a fluid fabric holding the world in a trance of movement and wild choreography.
“The river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and there is only the present time for it, not the shadow of the past, not the shadow of the future…”
-Herman Hesse, Siddhartha

The satellites

They tumble overhead

Dancers in the night

On a one track mind

To document earth

Mapping space and time

So that it fits into

A pocket

The last days brought spring, good friends, connections with ice, critical help from satellite imagery, wonderings about life and death, and hotel suites carved of Torne Ice.

…

Summertime in Junosuando was blueberries, fishing in the slow river, mushroom picking, and row boating. It was a time of light and natural bounty, and it will be so again soon. If you have been reading since August, you will remember that I have been this way before.

I skied into Junosuando looking at the first familiar sight I have seen during the journey — a hill with a communications tower on top, the landmark that Mikael pointed me to months ago, to find my direction. I followed the hill towards the river since I was coming from Kangos, and pretty soon I saw the big white house surrounded by birch trees. Now there were ice carts and skis instead of bicycles. I left my skis and pulka and took a cart up the road past the church and school to Mikael and Maya’s little red house.
Mikael and Maya and their three girls live on the corner just 300 meters from the place where Mikael’s father was born. Maya is from Ontario with an Indian father from Karnataka, and she and Mikael met while traveling in India. After settling in Sweden, they started their business, Aurora Retreat, to make a living and support the family.
Both have a breadth of knowledge about crafts, the outdoors, and nature, so for their retreat they run a wilderness camp, The Three Rivers Camp. The camp is a cluster of octagonal wooden houses on a point where Tarendo River leaves Torne with more than half of Torne’s water. Tarendo links to Kalix River and at the point where the rivers bifurcate, the vast space of water looks like a lake.

I stayed for a few days at the guesthouse/youth hostel that Mikael and Maya run in Junosuando. The days there were full of nice conversations, baking, and hanging out with Sonia, their youngest daughter, who is a unique character; she is blind and has a mind that works differently than most. Her memory for detail is astonishing and she can tell you every flavour in food she eats or the smells in the cabinet. Her senses are strong and her presence stronger. Sonia likes to bake, so we did that together, and I got to pick her up from school some days.
Sita, the middle girl, is quiet and determined. By herself she is training to be a gymnast, and upstairs in their little house they have a mat and a small beam where she can practice. She is quite good and has started to compete in Kiruna, a bigger town to the north. Uma, the eldest at 13, is a classical pianist and she plays lots of music, filling the house with Chopin in the evening.
The day I left, Mikael and I set out with Uma towards the wilderness camp. The red cabins lit up with candles and a warm fire raging in the stove, the place is an arctic dream, an escape to a world of snow, pine and spruce, and the quiet of winter birds. He and I stayed the night and Uma skied back. We had a sauna and ate reindeer soup, preparing for the next day.

In the morning it was snowing, and as Mikael and I set out, the fear of falling through the river that has haunted me since Haparanda was on my mind.
The feeling of floating atop a powerful current of water is one of transcendence for me, death feels close, lurking under thin ice. However with Mikael, I was calm. He knows the river near Junosuando very well, and he could point out to me all of the features of the ice and the movements of water. Through wind and snow we went as he showed me how to test the ice, to find where it is thin and thick and how to understand the flow and ebb of the currents.
I started to think, if one had grown up treading on river ice all their life, but had not experienced driving a car, what would it be like to drive a vehicle on the interstate? Probably terrifying, the risk of getting pummeled by heavy machinery uncomfortably high. So perspective, experience, and a rational understanding began to soothe my nerves.
In the afternoon the sky began to clear as we arrived in Kurkkio, a village at the foot of a big rapid in the river, with people living on either bank. Mikael knew a couple there, Hans and Marina who run a charcoal business called Kolektivet which translates to Coalective, a clever name.
We came to the house, which was apparent because of the twin oven enormous charcoal cooker in the yard. Hans came right out and welcomed us in for a plate of delicious bar-b-que and coffee. The charcoal they make is done with birch, and the food has a most amazing flavour unlike any I’ve had before. Hans’ brother and business partner Pär was also in for the weekend as well as an Estonian named Kalev.

They graciously invited Mikael and I to stay the night and have a sauna, which we happily accepted. While they did a bit of afternoon work, we went back out skiing to explore the river. In the awe inspiring slow sunset we saw the Kurkkioforsen, the rapids, and also the other side of town on the other bank of the river. We skied some nice hills and I took a few face plants skiing down on Mikael’s long wooden skis. We got ourselves hungry for dinner.

On return the sauna was nearly ready as was the food, bar-b-que again! So we all sat and ate and drank nice Estonian beers complements of Kalev. After dinner, full and sleepy we all made our own ways to bed.
In the morning, Mikael and I helped load the charcoal ovens with birch before setting out, Mikael back to Junosuando, and I up to Kuoksu. This was the first time I had really skied the river by myself and without a well marked snowmobile trail because the main track veered far overland to the southwest. So cautiously, remembering what I had learned from Mikael, I made my way.

River ice is not to be taken lightly, but rather respected, it can be understood much like the ocean or an interstate. When the river is wide and the flow is slow, the ice will be thick, and the areas of greatest risk will be near the bank where there is a dynamic between land and ice that can cause cracks or holes. When the water is fast and especially steep the ice will open in the middle and one must travel cautiously by the bank, better yet on land. Where there are inlets, there will be open water, and it can be that these openings are covered with snow, dangerous places. Also on the banks there can be springs, natural upwellings that create thin ice where one might not expect.
Satellite maps have helped me very much to see in advance where there is white water, where the river is narrow and fast, and where there are inlets ahead so that I can find myself on the proper bank.
The place names here also indicate the speed of the river. Kukkolaforsen means “Kukkola rapid,” fast water. Junosuando means “Juno slow water,” and Jukkasjarvi means “Jukkas lake.” When the river gets really wide, it’s considered a lake. These names also reflect the heritage of tornedalen– forsen is Swedish, jarvi is Finnish.

Nearly to Kuoksu

River right, good ice

It looks like

Testing, testing

Craaaaaaaaackk

Nope, not good ice
Heart thumping

Into the forest
…
I arrived in Kuoksu late, and after asking at one house about a public cabin, I was sent to find Frederick. He was in a huge tractor moving snow, and he and his wife

Mia offered to let me stay in their place which they are building themselves. It was still a bit of a construction site, but I got to talk to them and help put in baseboards. The next morning I was off heading to Vittangi.
There I met Håkan Lundstrom, an old fixture of these woods, an artist, outdoorsman, carpenter, filmmaker, and firefighter. A jack of all trades, he offered to help me pick a route upriver and fed and coffeed me.
The river between Vittangi and Jukkasjarvi is mostly narrow with lots of long rolling houses. It’s about 55 kilometers without a town, just cabins by the river. I saw lots of life–moose, caribou, and plenty of spring birds. The birdsong reminded me of the equinox, spring is here, summer is near.
I stayed two nights on the leg–one in a wind shelter and one in an open public cabin with a sauna and woodstove. It was so good to happen upon that place after a long day of skiing, to find dry wood and a bed.
…
At Jukkasjarvi the river opens up as though taking a deep breath. The banks are a kilometer apart, and as I would soon find out, the ice is very thick and strong.
From a long way, I could see machines on the ice, it’s real, I thought, knowing that these belonged to the Ice Hotel. On the google earth image, Jukkasjarvi still has ice on it, and the ice hotel is a white pile of melting snow surrounded by the green pixels of spring. An hour of skiing after I first saw the machines, I was standing by the giant tractor forklift pulling two tonne blocks of 3 foot thick blue ice out of Torne. I talked to the guys working out there for a while and they pointed me to where I would stay the night.
I was invited to stay with Carina Henrikkson, the opera singer and theater director who I met in Pajala, and her husband Arne Bergh, the art director and part owner at ice hotel. Arne and Carina live in a beautiful home subtly bedded into the riverbank across from Jukkasjarvi in Poikkijarvi, which literally means “the other side of the lake.” The house is decorated with beautiful wood carvings done by Arne who is a sculptor, and there are photos on the wall of Carina singing in the Ice Globe, a replica of the globe theater that was built here in Torne ice some years ago. The dynamism between these two artists is strong and after a nice dinner Arne and I spoke for hours.

I learned that the Ice Hotel was born as an igloo art gallery housing paintings, but after Arne arrived the idea shifted so that the ice itself became the art, “ephemeral art,” as Arne put it. The ice represents just the most minute sliver of water from Torne and because the hotel rests on the riverbank, in the spring, the water returns to the river.
This morning after breakfast I got toured around, and, well, I will let the photos speak for themselves.